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whisper

Stolen flowers from the cemetery

answer sorrow’s questions

as the thin plumage of reality wearies.

© Margaux Emmanuel 

sunflowers in the attic

to paint a tomb

in the prose of life

to caress a wound

with the edge of a knife

to write letters to the dead 

in a mosaic of hurt

to start bleeding dread

waiting for an answer 

to appease the thirst

to feel the verse of your lips

follow the prosody of my skin 

to let the streams of your tears

carve pain on the breath of chagrin

why is your name scribbled on a grave?

it channels in the streets of this morbid haze

where I can feel your cold pulse

your screams 

your presence

absence

echo in my veins

sewing a lace insomnia 

dissecting a lacuna 

searching in the emptiness of my heart

until it rips apart

breathe in

breathe out

you have blinded me

from the compass of existence

diagnosed with a troubled

broken 

spilled

pen 

the only solution 

is to burn the paper

burn me

© Margaux Emmanuel

A damp seaside cottage bathed in a picturesque pastel yellow paint peeling off the walls cracked windows shattered bottles screaming on the floor a story that you’ll never hear a silent porch bearing a lonesome rocking chair where tears used to stain her floral dress a sore giggling wind brings along an exiled melancholia unloaded memorabilia and then there’s you, collapsed on the dangling shingles tumbledown eyes peaking out of streaks of wet hair humming an outdated tune from the pit of a golden lacquered heart sluggishly tracing the words your mind’s waves cry. Sometimes you sink into their foam with your lavender socks and then the bitter water licks your neck and you forget the punctuation of the days that strut by and on that rooftop overlooking your splinters you shrug starved by the discolored key waiting under the doormat by the flower petals lingering around the gutter maybe it’s okay to die a little younger.

golden lacquered heart | © Margaux Emmanuel

The champagne lingering in the driveway of his eyelids ransacks the minibar of his depressive tendencies. A suffering insufferable dandy with a corduroy smile spills the cough syrup on the window sill and walks through a non-smoking floor with an unlit cigarette giggling in between his teeth. The stained carpet mutters that he’s a homeless homesick and the tears sticking to the glass table know it already. So he sits back on a fatigued settee and pours himself a dubious drink with a parking lot view. So he sits back uncomfortably with his heart a little tight and he tells himself that it’s just another sick day.

sick days | © Margaux Emmanuel

bath drain

Nine o’clock bath

and I run

my fingers

on the steam’s

ashes

on the mirror

revealing

your

unvaccinated

velvet

daydreams.

My knees

glance out at

unsigned checks

stolen aspirin

spoiled milk

her lipstick’s shards

in your cheeks.

My skin skims

unsent postcards

one-way tickets

to the depths

of your mind

but I missed the flight

every time

I will continue to stare

at the sad

air vents

the antiseptic.

I will continue

to cut my hair

until I won’t feel

your fingertips

knocking

at the auburn 

curls

at the door

of the past

so

do your

lips 

do receipts?

© Margaux Emmanuel

clumsy town boy

Your heart

is stuck

in a long

car ride

edging

an endless

desert

empty

road

in 1973

sitting in

the backseat

reading Kerouac

butter-colored

baseball cap

no watch

timeless

wrist

high school

bomber jacket

covering a

white shirt

a chagrined

blue bra

his

aviator

Ray Bans

sliding down

the bridge

of its nose

listening

to the cassette

of a shattered

existence.

Two years

thousands of miles

away

he’s still

the one

appearing

in the

highway landscapes

ghostlike

you can almost

smell

his cologne

you thought

that you had

written

the last act

of that

tragedy

licked the seal

of that envelope.

But the trunk

is still

full of his

letters

the cursive ink

bruises you

at night

oh

the clumsy

town

boys

they really

mess you up.

© Margaux Emmanuel

you missed the nine o’clock train

You wear

silence’s

jacket

and the acne

that creeps down

the shadows

of your neck

scribbles down

your screams

on the back

of a crumpled napkin

that you always keep

in your back left

pocket.

You are soaked in

faltering voices

yet you are

the flower

growing

in the washed-out

asylum of humanity

and I am in

desperate need

of your fragrance.

I thought

that I had caught

a glimpse of you

arms crossed

wondering down

the hallway

of unsaid nostalgia

perhaps chewing some skin

off your lower lip

perhaps a tear

or two

polishing the floor

under your feet.

But you always come

twenty minutes late

to the suburbs

of my emotions

so you saw me

and kept walking.

A new chapter

but

the ink

from

the last one

always

bleeds

through.  

© Margaux Emmanuel

sandpaper

Lining up

empty

soft drink

bottles

on the

windowsill

of a

dented heart

peering at

the streets

of silence

discolored

by daylight

you remember

a checkered

red and white

picnic cloth

flattened

burnt

grass

screeching

underneath

an orange tree branch

dipping in

a timid

foamless

ocean

sky

his honey skin

melting in the tide

pruney words

kisses

a chronic daydream

he never

draws hearts

with sidewalk chalk

but his initials

are sown

into the collar

of your reverie

you’re the 

dissociative

teenager

that can’t help

but miss him so.

© Margaux Emmanuel

a dreamlike love bite

Two songs

away from you

having lunch

by the car

I close my eyes

memories

of kissing pretty neighbors

in their treehouses

paint dripping

down the easel

of the night

all I wanted

was for love

to bite

and now

you’re smiling

by my side

I guess

I’ll rob the sky of tonight’s stars

for you

but once my eyelids open

I’m still a lovesick kid

in an empty parking lot

and the stars always find

a place to hide.

© Margaux Emmanuel

The diagonal scar swelling  on his cheek shadows the stalemate  of salvation  a glissando  of desire that flew west for the winter away from the tempered light of day. The anacoluthon  of love  trapped in the pillowcase feathers of the  "have you ever been hurt ?" speaks  the demotic language of the pinned knight on the chessboard  of neurasthenia.  His heart writes letters with no  return address  My heart is trembling  with haste. "Nunc scio quid sit amor."

la llovizna comprende | © Margaux Emmanuel

Ill-chosen metaphors towel my body dry inch towards the word toying with the tip of my tongue you know the word the one eyeing the dark corners of the after party of infatuation the one stinging in the touch of bare-knuckled motorists pretending to be in trouble in the implied sensuality of those haunted eyes I said no peeking you already know the word oh I’m not trying to stop you, love all of these untalented talented teens know exactly what they want now turn off the radio whisper it in your licorice breath I’ll just be here falling asleep in the arms of dawn waiting.

don’t look at me like that, help me find this word | © Margaux Emmanuel

women in love

Your face clouds over

when the picture

of the girl

with the red

octagonal

sunglasses

red cheeks

from having recently cried

leaning

on your car

falls out of your wallet

only to remind you

in the sotto voce

of memory

that she kept your

love letters

in a battered copy

of Women in love.

You wonder

if she kept it

she always said

that it was a mistake

to reread the novels

of your youth

Oh, she was a hesitation

You remember

every rhyme

every bite

of the poems

that she wrote

on your lips

for she always said

that you only know

what you feel

once it’s been written.

She was damnation

You remember

seeing the

ink stains

sprawled on the cover

of her

DH Lawrence

in the hands

of someone else

at that

end of the year

garage sale

he was laughing

chewing

his cheeks

but the book

isn’t funny

maybe he was laughing

at your poems

he was laughing

because he doesn’t love her

and he never will

maybe he was laughing

because you are trapped

in those pages

you still live

every curve

every sharpness

of her letters

and she now lives

in the verse of another

he wasn’t laughing.

© Margaux Emmanuel 

There was this boy, checkered Vans and we played charades in the back of the bus sixteen we sometimes we would always miss it and we would walk into the ring  and he would eat his vanilla ice-cream and our eyes would meet in full contact but I would fight in southpaw; our moves were mirrored but we never managed never dared to really hit.  His sticky chocolate eyes melted onto my black leather gloves and our words took our hearts into a headlock, silently skimming the sides  of every post of his sweet Cupid’s bow with bare knuckles,  untied shoes. One day he just wasn't at the bus stop I waited and waited he called  and said "I took bus fourteen" but I loved him too much and he didn't love me  enough  to sucker punch.

disqualified | © Margaux Emmanuel

thirty percent off

You should go inside

You should see all the pretty girls

You should’ve seen this one, oh boy her-

No thanks,

I just came here for the view

but the percent

wept

sang

in his smile

and betrayed

the slang and meth

hanging in his mouth

the poor lighting

the off-key voice crack karaoke

the interrupted sentences.

Quarter to three am

unfamiliar sheets

biting

married men’s skin

dampened by the nightlight

the droopy eyes

hell’s sigh

the sunlight inching

through the curtains

counter-clockwise

pushed

through the streets

of dawn

neon shards

of billboards

promoting their lives

unnamed bodies

still warm

still moaning

by their side

an ache

an itch

in their thighs

they stain

the pavement

with their silent cries

Is this what it’s like

to be dead,

or are we alive?

hitches a ride

into their minds

they still have

pictures of their kids

in their wallets

along with a string

of unattached numbers

for the occasional hunger

oh, no

they were

thirty percent off

I would’ve never

sunbaked hearts

fall apart

a la carte

but oh,

it doesn’t matter

as long as it stays

in the dark.

© Margaux Emmanuel

wake up

you write

        arbitrary letters

                           on the lampshade dust

a game

        of mental scrabble,

modernity’s

           aphasia

the light turns on

v

u

  l

   n

     e

       r

        a

          b

            l

              e

you are in bed

writing

          what you think,

letting your skin

                  nervously flirt

                                      with unfamiliar sheets,

letting your pen 

                      nervously flirt

                                       with innocent paper,

meeting

            your pale lover’s

                                weak eyes

                                            for the first time:

we all need

           to meet

                   ourselves.

© Margaux Emmanuel

note to self

a glimpse of melancholia

in the lukewarm saké

of a child’s laughter

© Margaux Emmanuel

visiting hours are over

a melody from western japan

    sticks to the tears you begin to cry

“visiting hours are over”

    the curtains of your heart close

you sit on the stage

    and fold

origami feelings

    delicate

intricate

    intimate

weak

now

    you can take off your mask

and let yourself hum

    quietly

nervously

    and wait

to hear the same tune

    from the audience’s side

© Margaux Emmanuel

light-headed

I know a place

where the nights are hidden under a veil of tobacco

I know a place 

where lovers wait for the rain to cease, sheltered by a stranger’s open garage

holding stolen beers and each other’s hands 

I know a place

where boys with messy hair sit on the windowsill reading Cocteau 

I know a place

where people fall in love over a cigarette and a line of Tennyson 

It’s a place 

where life isn’t so bad 

© Margaux Emmanuel 

2003

Postcards from Saigon

yellowed pictures

pants rolled up to his knees

dark ray bans

thick rims

raindrops on lips

or raindrop lips

his eyes,

a different shade of brown

those that say

“buy me a beer

before I change my mind”,

dusty eyelids

a scar

lingering

under his eye

a dog-eared book

in his hand

where he wrote in the margins

These

are

the

lines

that

prove

that

my

existence

is

a

mistake

but you only read 

the pencil prophecy

after

you had kissed him  

after

he had taken

all of those

painkillers

after

he had written that letter

saying

“I too

was once loved,

but not by you”.

© Margaux Emmanuel 2018

poisoned apricots 

under the frozen floorboards

of a sick child’s heart