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breaking shoulders

Fingers drummed against the edge of the suspicious table. A habitual visitor painted my face crimson. Oh dear. The leather of my suitcase unearthed my skin. A sort of wet substance trickled. Couldn’t really notice. 

What’s in this luggage?

Won’t say, sir. 

May I take a look?

Perhaps not sir, perhaps not.

Why not? 

Because some things are too heavy to look at. My cheeks won’t seem so red. My eyes so blue. The leather so brown. 

Everything’ll seem black and white, sir.

Black and white. 

© Margaux Emmanuel 

forever & never

Underrated hallucinations of an untuned heart

your dusty curls slither through the prairies of my skin

your grey eyes are cracking, thrifting apart

ambling through the arid meadows of the past

yet your marshlands smoke sin

the fog unfolds

much too fast

and the fiery mirage of you 

burns away

oh, the reverie of the downcast.

© Margaux Emmanuel 

whisper

Stolen flowers from the cemetery

answer sorrow’s questions

as the thin plumage of reality wearies.

© Margaux Emmanuel 

You ran away when you were seventeen sleeping weeping in blurry cars and in eerie inns with no address no name trapped in time bordering the highway where you wrote to me poems in Latin stamped from the basement of my mind inspired by a denuded flower whimpering in a glass bottle of Coca-Cola beside a clumsy kitchen sink. You’re a vagabond tragedy a vagabond prodigy dipped in the paint of a raw sorrow quoting Virgil sitting in a bumper car sleepily howling Roman odes at a hollow night sky with swollen knuckles swollen eyes from trying to twist a drain of logic a faucet of amnesia only to find a leak of pain. I see you lying on the thirsty sand your eyes closed your lips apart morose saliva trickling out onto your chin a ripple of water comes to stroke your feet telling you to wake up but you don’t. A broken vinyl scratched from loving too hard.

headache | © Margaux Emmanuel

A damp seaside cottage bathed in a picturesque pastel yellow paint peeling off the walls cracked windows shattered bottles screaming on the floor a story that you’ll never hear a silent porch bearing a lonesome rocking chair where tears used to stain her floral dress a sore giggling wind brings along an exiled melancholia unloaded memorabilia and then there’s you, collapsed on the dangling shingles tumbledown eyes peaking out of streaks of wet hair humming an outdated tune from the pit of a golden lacquered heart sluggishly tracing the words your mind’s waves cry. Sometimes you sink into their foam with your lavender socks and then the bitter water licks your neck and you forget the punctuation of the days that strut by and on that rooftop overlooking your splinters you shrug starved by the discolored key waiting under the doormat by the flower petals lingering around the gutter maybe it’s okay to die a little younger.

golden lacquered heart | © Margaux Emmanuel

bath drain

Nine o’clock bath

and I run

my fingers

on the steam’s

ashes

on the mirror

revealing

your

unvaccinated

velvet

daydreams.

My knees

glance out at

unsigned checks

stolen aspirin

spoiled milk

her lipstick’s shards

in your cheeks.

My skin skims

unsent postcards

one-way tickets

to the depths

of your mind

but I missed the flight

every time

I will continue to stare

at the sad

air vents

the antiseptic.

I will continue

to cut my hair

until I won’t feel

your fingertips

knocking

at the auburn 

curls

at the door

of the past

so

do your

lips 

do receipts?

© Margaux Emmanuel

clumsy town boy

Your heart

is stuck

in a long

car ride

edging

an endless

desert

empty

road

in 1973

sitting in

the backseat

reading Kerouac

butter-colored

baseball cap

no watch

timeless

wrist

high school

bomber jacket

covering a

white shirt

a chagrined

blue bra

his

aviator

Ray Bans

sliding down

the bridge

of its nose

listening

to the cassette

of a shattered

existence.

Two years

thousands of miles

away

he’s still

the one

appearing

in the

highway landscapes

ghostlike

you can almost

smell

his cologne

you thought

that you had

written

the last act

of that

tragedy

licked the seal

of that envelope.

But the trunk

is still

full of his

letters

the cursive ink

bruises you

at night

oh

the clumsy

town

boys

they really

mess you up.

© Margaux Emmanuel

you missed the nine o’clock train

You wear

silence’s

jacket

and the acne

that creeps down

the shadows

of your neck

scribbles down

your screams

on the back

of a crumpled napkin

that you always keep

in your back left

pocket.

You are soaked in

faltering voices

yet you are

the flower

growing

in the washed-out

asylum of humanity

and I am in

desperate need

of your fragrance.

I thought

that I had caught

a glimpse of you

arms crossed

wondering down

the hallway

of unsaid nostalgia

perhaps chewing some skin

off your lower lip

perhaps a tear

or two

polishing the floor

under your feet.

But you always come

twenty minutes late

to the suburbs

of my emotions

so you saw me

and kept walking.

A new chapter

but

the ink

from

the last one

always

bleeds

through.  

© Margaux Emmanuel

sandpaper

Lining up

empty

soft drink

bottles

on the

windowsill

of a

dented heart

peering at

the streets

of silence

discolored

by daylight

you remember

a checkered

red and white

picnic cloth

flattened

burnt

grass

screeching

underneath

an orange tree branch

dipping in

a timid

foamless

ocean

sky

his honey skin

melting in the tide

pruney words

kisses

a chronic daydream

he never

draws hearts

with sidewalk chalk

but his initials

are sown

into the collar

of your reverie

you’re the 

dissociative

teenager

that can’t help

but miss him so.

© Margaux Emmanuel

close the door on your way out

At night, her grey eyes faintly glistening in the light of a row of lampposts, she stood in the shadow of a suburban cul-de-sac front porch. She mouthed with a grin, in the language of cigarette smoke, the words he would pronounce, his back resting upon an orange steel locker. She’d usually roll her eyes and answer:

Well, that’s very nice. Now, be a dear and close the door on your way out.

She chuckled thinking about it. He didn’t know that, afterwards, she’d lock herself in the bathroom stall, the no man’s land where the wandering soldiers, enslaved by dreams with no perspective would carve the truth with their bitten bitter tongues. And oh boy the profanity. She’d sympathize with the blistering paint of sin while running her fingers over the walls’ scars and tattoos, let their meaning soak her fingertips. She liked it. But did she understand it? She once saw:

If only we could all love.

This sentence creeped back to her with the small-town breeze, seeping into her skin. She put out her cigarette against the shadowed brick wall and sat back on the patio chair. She noticed how rusty the metal was. Maybe it had always been that way.

She wanted to write a play. Not a famous one that would make the Hollywood actors drool, but one of those eighty-cents coffee stained and dog-eared garage sale plays that you’d buy out of pity and out of a tingling curiosity for the literary pariahs. The sort that receives a scattered applause, the actors timidly bowing in response. But it would be about the caesuras of the heartbeat of this town. It would be about the dark blue teenage dreams.

Her eyes wondered to the cigarette ashes laying on the floor, intently staring at her. She smiled in approval to her thoughts, got up, and went back in.

© Margaux Emmanuel

a dreamlike love bite

Two songs

away from you

having lunch

by the car

I close my eyes

memories

of kissing pretty neighbors

in their treehouses

paint dripping

down the easel

of the night

all I wanted

was for love

to bite

and now

you’re smiling

by my side

I guess

I’ll rob the sky of tonight’s stars

for you

but once my eyelids open

I’m still a lovesick kid

in an empty parking lot

and the stars always find

a place to hide.

© Margaux Emmanuel

Liebestraum

Liszt’s Liebestraum playing in the background

She watched the two lovers while gripping a trembling glass in her hand. He caressed each note’s delicate skin, responding to every one of her quivers, covering her neck with slow kisses, holding her hand through the peril of the third candenza. No desires were left unfulfilled. Every pressed key said je t’aime, brought the two farther from the heavy haze of the day, interlaced into one dream of love unattainable by the mournful song of reality.

“Have you ever loved me?”, he asked. She turned back to him, unwillingly letting the pianist part from her sight. She took a nervous gulp from her drink, avoiding his eyes. She noticed that his lips were hanging apart, longing for an answer. Her eyes wandered again towards the origin of this music of the heavens. Was it jealousy that she felt? A bovarysme?

“Why did you ask me to meet you here?”, she finally replied in a low voice, not looking at him, the pain crawling onto her words.

“Mon amour”, he whispered, his shaking hands snaking towards hers. She let them intertwine.

Don’t call me that, she thought. She let him.

“This-”, she said, letting the words dangle in the air, her eyebrows scowling from the distress in the stiffness of his fingers. She stopped, licked her lips, and let the background melody inch back into her ears.

“This… has been over for a very long time, Arthur”, she finished, dipping into the placid waters of his brown eyes, in a cracked murmur.

The bags under his eyes were heavy, the tense lines of his face were hidden under a patchy beard; he hadn’t been sleeping for days. She had never called him Arthur. Resigned, they both moved their chairs in the direction of the pianist, sticky tears consoling their cheeks. They wondered what love was while watching the Liebestraum couple dance in such unison, wearing the foolish grin of passion, yet knowing that the night always ends.

“We never had that. We never had… anything”, he calmly said.

The pianist embraced his love one last time. His fingers parted from her thirsty touch, craving for more. The listener could almost hear their silent weep, could almost feel the suffering in his fingertips. He rose from his seat, bowed. Nobody applauded. He left the scene.

© Margaux Emmanuel

The diagonal scar swelling  on his cheek shadows the stalemate  of salvation  a glissando  of desire that flew west for the winter away from the tempered light of day. The anacoluthon  of love  trapped in the pillowcase feathers of the  "have you ever been hurt ?" speaks  the demotic language of the pinned knight on the chessboard  of neurasthenia.  His heart writes letters with no  return address  My heart is trembling  with haste. "Nunc scio quid sit amor."

la llovizna comprende | © Margaux Emmanuel

Ill-chosen metaphors towel my body dry inch towards the word toying with the tip of my tongue you know the word the one eyeing the dark corners of the after party of infatuation the one stinging in the touch of bare-knuckled motorists pretending to be in trouble in the implied sensuality of those haunted eyes I said no peeking you already know the word oh I’m not trying to stop you, love all of these untalented talented teens know exactly what they want now turn off the radio whisper it in your licorice breath I’ll just be here falling asleep in the arms of dawn waiting.

don’t look at me like that, help me find this word | © Margaux Emmanuel

women in love

Your face clouds over

when the picture

of the girl

with the red

octagonal

sunglasses

red cheeks

from having recently cried

leaning

on your car

falls out of your wallet

only to remind you

in the sotto voce

of memory

that she kept your

love letters

in a battered copy

of Women in love.

You wonder

if she kept it

she always said

that it was a mistake

to reread the novels

of your youth

Oh, she was a hesitation

You remember

every rhyme

every bite

of the poems

that she wrote

on your lips

for she always said

that you only know

what you feel

once it’s been written.

She was damnation

You remember

seeing the

ink stains

sprawled on the cover

of her

DH Lawrence

in the hands

of someone else

at that

end of the year

garage sale

he was laughing

chewing

his cheeks

but the book

isn’t funny

maybe he was laughing

at your poems

he was laughing

because he doesn’t love her

and he never will

maybe he was laughing

because you are trapped

in those pages

you still live

every curve

every sharpness

of her letters

and she now lives

in the verse of another

he wasn’t laughing.

© Margaux Emmanuel 

There was this boy, checkered Vans and we played charades in the back of the bus sixteen we sometimes we would always miss it and we would walk into the ring  and he would eat his vanilla ice-cream and our eyes would meet in full contact but I would fight in southpaw; our moves were mirrored but we never managed never dared to really hit.  His sticky chocolate eyes melted onto my black leather gloves and our words took our hearts into a headlock, silently skimming the sides  of every post of his sweet Cupid’s bow with bare knuckles,  untied shoes. One day he just wasn't at the bus stop I waited and waited he called  and said "I took bus fourteen" but I loved him too much and he didn't love me  enough  to sucker punch.

disqualified | © Margaux Emmanuel

thirty percent off

You should go inside

You should see all the pretty girls

You should’ve seen this one, oh boy her-

No thanks,

I just came here for the view

but the percent

wept

sang

in his smile

and betrayed

the slang and meth

hanging in his mouth

the poor lighting

the off-key voice crack karaoke

the interrupted sentences.

Quarter to three am

unfamiliar sheets

biting

married men’s skin

dampened by the nightlight

the droopy eyes

hell’s sigh

the sunlight inching

through the curtains

counter-clockwise

pushed

through the streets

of dawn

neon shards

of billboards

promoting their lives

unnamed bodies

still warm

still moaning

by their side

an ache

an itch

in their thighs

they stain

the pavement

with their silent cries

Is this what it’s like

to be dead,

or are we alive?

hitches a ride

into their minds

they still have

pictures of their kids

in their wallets

along with a string

of unattached numbers

for the occasional hunger

oh, no

they were

thirty percent off

I would’ve never

sunbaked hearts

fall apart

a la carte

but oh,

it doesn’t matter

as long as it stays

in the dark.

© Margaux Emmanuel