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“The Female of the Species” book review
Rating: 4/5
Genre: Contemporary
Summary: Alex Craft kills. Not just ordinary people. But people who hurt other people. People who don't know the difference between an object and a (female) human. Alex Craft feels numb and out of the society. But when she finds friends, her known world starts to change.
My Opinion: Firstly, the name of the book intrigued me. When I searched it up, the synopsis too, interested me. Then I found out that the plot of the book takes place in Ohio. That was the final straw for me. I decided to read it immediately.
The writing style of the novel is beautiful. It is written in short chapters from the perspectives of three people: Alex, Jack and Peekay.
As much as I like Alex and Peekay (or Claire, which is her real name), I don’t really care about Jack at all. I know it’s supposed to be realistic. I know a lot of guys out there are like Jack. But it doesn’t excuse the fact that Jack is a bit of an asshole in some ways. Though he feels guilty, he doesn’t bother changing himself for good. The thing I mostly hate about him is comparing Alex with other girls, and telling how really special she is, whereas the other girls are all the same and stuff like that. He is also a total douchebag to his best friend, Branley. Nonetheless it was brave for the writer to put such realistic characters into the book.
Quote: "I live in a world where not being molested as a child is considered luck."
-Cho Namjoo, Kim Jiyoung, Born 1982 [tr. Jamie Chang]
Hands down one of the best books I have ever read!
really think u should all read invisible women like we should consider this a foundational feminist text on the level of de beauvoir and dworkin
Books similar to The Handmaid's Tale by Margaret Atwood:
The Grace Year by Kim Liggett and Extasia by Claire Legrand are both distopyas dense of religious fanatism and women's segregation, in which sexism and sexual prejudice are associated with various aspects of religion (e.g. belief, faith, and fundamentalism). This novel shows also how higher religious fundamentalism is associated with internalized misogyny and passive acceptance of traditional gender roles, and both hostile and benevolent sexism.
In The Grace Year the stereotype of a women as source of sin was laid down by the dominant religious authorities before the inception of widespread violence led by women against women, but after all the violence and blood, women learn the importance of sorority, female friendship and start to support and help each others.
The main source of conflicts are ribbons, which, in The Grace Year, are the sign of a women lifestage and the bride's ribbon is a valued price among most of the girls of the age of Tierney, the protagonist. The bride ribbons create a competition between girls to get bachelor’s attention, self-objectification, and humiliation toward each others. Although the competition eventually destroys most of them, this characteristic offers pleasure to those who survived their Grace Year. Tierney learns to survive on her own, learns that the religious values she was thought were wrong and learns also to appreciate her peer's friendship.
Extasia adds witchcraft and supernatural elements, but the main character (Amity) believes deeply in social conservatism—Amity has a preference for stability, conformity and the status quo— which is often a key trait of the religious experience, but also betrays deep feeling of self-hate.
In Extasia, the very patriarchal structures that decry witchcraft – the Puritan church in which the characters lives in and escapes from, the male headship to which the community so desperately cling, the insistence, in the face of repeated violence, on the sin of her mother – are the same structures that inevitably foreclose the options of the lead character, Amity.
To this two, I will mention also The Year Of The Witching by Alexis Henderson. In this novel, Immanuelle, a young woman living in a rigid, puritanical society, discovers dark powers within herself. This book is very similar to Extasia, but not such as good: Amity character is way more believable than Immanuelle and shows way more comprehension of the injustices committed in the name of the religion. The cult in Extasia contains more original elements and believing than the one in The Year Of The Witching, which seems more a copy-paste of mormon radical close-communities, including the elements of racial prejudice. Both Immanuelle and Amity live in the disdain of their own community because of the sins committed by their mother, which were both punished for their love affairs, but when Amity is a girl-of-action and actively search for mercy and witchcraft, Immanuelle is cursed - literally - by passivity and events occurs without her active consents, including the defection of the evil antagonist. Also, female friendship doesn't take place among the main themes and the book suffer a lot of the male love-interest help.
The Grace Year by Kim Liggett
No one speaks of the grace year. It’s forbidden.
In Garner County, girls are told they have the power to lure grown men from their beds, to drive women mad with jealousy. They believe their very skin emits a powerful aphrodisiac, the potent essence of youth, of a girl on the edge of womanhood. That’s why they’re banished for their sixteenth year, to release their magic into the wild so they can return purified and ready for marriage. But not all of them will make it home alive.
Sixteen-year-old Tierney James dreams of a better life—a society that doesn’t pit friend against friend or woman against woman, but as her own grace year draws near, she quickly realizes that it’s not just the brutal elements they must fear. It’s not even the poachers in the woods, men who are waiting for a chance to grab one of the girls in order to make a fortune on the black market. Their greatest threat may very well be each other.
With sharp prose and gritty realism, The Grace Year examines the complex and sometimes twisted relationships between girls, the women they eventually become, and the difficult decisions they make in-between.
Extasia by Claire Legrand
Her name is unimportant.
All you must know is that today she will become one of the four saints of Haven. The elders will mark her and place the red hood on her head. With her sisters, she will stand against the evil power that lives beneath the black mountain--an evil which has already killed nine of her village's men.
She will tell no one of the white-eyed beasts that follow her. Or the faceless gray women tall as houses. Or the girls she saw kissing in the elm grove.
Today she will be a saint of Haven. She will rid her family of her mother's shame at last and save her people from destruction. She is not afraid. Are you?
The Year Of The Witching by Alexis Henderson
In the lands of Bethel, where the Prophet’s word is law, Immanuelle Moore’s very existence is blasphemy. Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement. But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood. Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.