Somehelpfulart-tutorials - Some Helpful Art Tutorials

The Body Of A Guy Who Fights Bears On A Mountain

Do you have any tips for drawing round ladies? :D

Hiya anon!

Well, I’m still learning myself, but here’s a few tips I usually keep in mind!

1.) “Fat” is not just a big belly!

Fat distributes everywhere, but not necessarily equally! Like at any weight, every body is different and has an unique shape! Some keep a hourglass shape, some become more pear-like, some are shaped like teardrops or apples… but the basic thing is, fat doesn’t just choose one place where it WON’T gather. It may not be as visible in some area compared to another, but in real life, it’s reeeeaaaaalllllyyyy rare to just find a person whose fat only stores in their bum, thighs and tits, leaving their waist, arms, neck and etc slim. Keep the body pleasant and thick all around, not just in the places where the weight-gain is the most imminent!

Keep the round shapes in mind!

2.) Rolls! Folds! What are they?

What are they? Not something to be afraid of, that’s for sure!

Basically, don’t hesitate to give your characters fat rolls. Skin folds, stretches and moves along with the body, and so does the fat under it! However, a lot of people who draw rolls tend to give the character many super small ones — this is not how rolls work! Usually, the thicker the person, the thicker the rolls — they increase in size, not necessarily in number.

Rolls are the most preminent in places where the body moves the most, AKA the joints. Fat folds over itself and creates creases and ‘rolls’.

3.) HOWEVER….

(No references here, sorry!!!)

When we age, our skin loses its elasticity and it can’t keep the rolls and folds thick and perky. In our youth, our weight can be held up way better than in our elderly days due to the stength and adaptivity of our skin which disappears as we age. Thus, fat tends to droop lower with older people, and the rolls appear thinner. This can also happen if someone who has had a LOT of weight packed up suddenly losing a big chunk of it — the skin can’t adapt and will begin to “droop“ down and lower. Make sure to keep such factors in mind when drawing and planning how the weight of your characters should be carried!

And then, a lil tip that;

4.) Study references and real life!

If you yourself pack some weight or have access to internet, libraries or just life on the street, you will see how bodies at different weights and shapes work and move. Use references, see for yourself — try to find how fat distributes and especially, HOW IT FOLDS! Folds and rolls seem to be one of the biggest problems many have while drawing thicker characters, and that’s ok — we’re taught as a society that fatrolls are inherently bad and disgusting, therefore there are not many situations where we’d find ourselves just… staring and studying how the fat in our bodies works and moves. You’ll learn quickly, though!

I’m still learning myself, but especially since every body is different and the weight we pack acts in unique ways, it can be really challenging to find the ‘absolute’ right way to draw thicker characters. Don’t give up! You’ll get the hang of it eventually!!

How do i Plot a Book?

1. Start with an Idea:

Begin with a clear idea or concept for your story. This could be a theme, a character, a setting, or a unique scenario.

2. Outline Your Plot Structure:

- Introduction: Set the stage by introducing your main character, the setting, and the initial situation.

- Inciting Incident: Present a problem or event that disrupts the status quo and sets the story in motion.

- Rising Action: Develop the plot by introducing conflicts, challenges, and obstacles that the protagonist faces.

- Climax: Reach the story's highest point of tension and conflict where the protagonist confronts the main challenge.

- Falling Action: Address the aftermath of the climax, tying up loose ends and resolving subplots.

- Conclusion: Provide a resolution to the main conflict, wrap up the story, and show the character's growth or change.

3. Create Well-Defined Characters:

- Develop your main character (protagonist) with clear goals, motivations, and flaws.

- Introduce supporting characters with distinct personalities and roles in the story.

4. World-Building:

If your story is set in a unique or fictional world, develop the setting, rules, and details necessary for readers to understand the environment.

5. Conflict and Stakes:

Ensure that your story has compelling conflicts that drive the plot forward. Make the stakes clear to the reader.

6. Subplots:

Develop subplots that add depth and complexity to your story and intersect with the main plot at various points.

7. Foreshadowing:

Use foreshadowing to hint at future events and create suspense.

8. Pacing:

Balance action, dialogue, and introspection to control the pace of your story. Speed up or slow down as needed for dramatic effect.

9. Themes and Messages:

Consider the themes or messages you want to convey through your story and how the plot can reflect them.

10. Outline Chapter by Chapter:

Create a chapter-by-chapter outline that details what will happen in each section of your book. This doesn't need to be overly detailed, but it can serve as a roadmap.

11. Writing and Revising:

Start writing your book based on your outline. Be open to changes and revisions as your story develops.

oh-mrs-o:

magistelle:

danipat:

Learning anatomy drawing is important. Period. Whatever you plan to draw and however you plan to draw it you need to have an idea of what it actually looks like, practice in realism, before you plan to move on to creative interpretation.

Here are examples of all different kinds of athletic body types to illustrate the importance of knowing what sort of “built” look you will need to go for when drawing and designing a character. Not all fit is the same fit and it is so hard to find adequate variety when looking for references. These were linked by a talented comic artist Nina Matsumoto. Here site can be found here http://ninamatsumoto.wordpress.com/

A good sampling of her art can be found here http://spacecoyote.deviantart.com/

So many different body types. ;u; SWEET LORD, IS THIS USEFUL OR WHAT.

Never not reposting this. Human bodies are cool as hell. Wish there was a thing like this, but including some more average Joe non-athletic people as well. That’d be handy. 

by any chance could you do a lil tutorial/process of how you draw limbs in different poses? esp. legs/thighs, your legs always look so jaunty and charming i love it but i never know what to, ,, ,,, do with mine, like where to put them so

Okay! I’m going to try to answer this best I can, but before I do, please remember I am just a humble animation student and by no means a professional artist or a seasoned expert, so this might not be the correct way to do things or be extremely accurate. This is just how I do it, and a couple tips I’ve picked up from teachers at school.

First of all, getting familiar with the anatomy of legs helps a lot! (I know this is the dreaded answer to every art question) I don’t know too much about the muscles of the legs other than the basics, so I don’t talk about them here because I don’t want to look like an idiot. They’re very worth studying though, especially the muscles that form the inside of the thigh and back of the calf.

Those are some leg studies I did from life in class last year, with the key parts labelled.

Chances are you’ve tried to draw legs and??

Unless you’re going for a certain style, legs that look like straight tubes or 90 degree angles are gonna look a bit weird.

As you can see with the life drawings above, legs have certain natural curves and rhythms to them! None of the bones in the legs are straight or tubular, so your legs should not be either.

Sorry for the really mediocre pelvis it’s not my strong suit oh god. It’s easy to characterize the legs as something like this:

Remembering that the knee is a hinge joint and that it has a sort of curved offset from the upper leg to the lower leg really helps.

So when you keep that offset in mind and apply some curves over the muscle and fat layered on top of those BEAUTIFULLY RHYTHMIC bones, you get dynamic flow in your legs. The hip (trochanter), kneecap (patella) and ankle (fibula/tibia malleolus) are good landmarks to keep in mind.

So by applying some curves, you get a softer/more dynamic/rhythmic feel to the legs that makes your figure look a lot less static even if they are standing entirely still. It’s also worth noting most people shift their weight onto one hip or another, position their feet weirdly, etc etc.

Hope that helps!