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Resources For Describing Characters

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Resources For Describing Emotion

Emotions

Without Making Your Character Feel Too Self Aware

Showing Emotion Without Telling About It

Emotions Associated With Body Language

Telling Readers What The Character Doesn’t Want To Show

Hiding Emotions

Expressing Cardinal Emotions: Masculine vs. Feminine

Writing Extreme Emotion Without Melodrama

Specific Emotions

Conveying Shock

Conveying Embarrassment

Conveying Disappointment

Conveying Love/Attraction

Conveying Annoyance

Conveying Relief

Conveying Uncertainty

Conveying Impatience

Conveying Shame

Conveying Resentment

Conveying Panic

Conveying Guilt

Conveying Desperation

Conveying Sarcasm & Verbal Disrespect

Conveying Confusion

Conveying Stubbornness

Conveying Frustration

Conveying Indifference

Conveying Indignation

Conveying Confidence & Pride

Conveying Smugness

Conveying Enthusiasm

Conveying Curiosity

Conveying Hopefulness

Conveying Unease

Conveying Reluctance

Conveying Worry

Conveying Humility & Meekness

Conveying Happiness & Joy

Conveying Amusement

Conveying Disgust

Conveying Resignation

Conveying Jealousy

Conveying Anticipation

Conveying Contentment

Conveying Defeat

Conveying Excitement

Conveying Fear

Conveying Hatred

Conveying Hurt

Conveying Being Overwhelmed

Conveying Sadness & Grief

Conveying Satisfaction

Conveying Somberness

Conveying Sympathy & Empathy

Conveying Wariness

Conveying Defensiveness

Conveying Desire

Conveying Doubt

Conveying Energy

Conveying Exhaustion

Conveying Hunger

Conveying Loneliness

Conveying Physical Pain

Emotional Wounds

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i actually hate missing the sound of someone's voice because eventually with enough time i won't be able to remember what good morning sounded like coming from their lips or the way their laughter would echo between my ears i'll only be able to remember that it was a voice that i loved belonging to a person that i loved

List of “you had a nightmare? there, I’ve got you” prompts 

Requested by: Anonymous Request: “any chance you could prompts A telling their friends that they have a crush on B?” 

“There, there. It’s okay. I’m right here.”

“It’s fine, it was just a dream.. Nothing more than that. You’ll be okay.”

“You’re okay. I’ve got you.”

“Did you want to talk about it?”

“You’re trembling, love.”

“C’mere…”

“Oh, you poor thing.”

“Come on, let’s make you a cup of tea to calm your nerves.”

Character A pulling Character B into a silent hug, fingers stroking through their hair, soft words of comfort falling from their lips. Character B clutching onto Character’s A shirt, tear-stained cheeks buried on their chest; breathing heavily into the fabric. 

“I’m here with you. It’s going to be okay. Just follow me, okay? Breathe in, breathe out…” 

Join my Discord server: Steaming Dumplings Nation

Showing 'Love' in Writing

Gazing into each other’s eyes with a soft smile.

Holding hands and gently squeezing.

Brushing a strand of hair behind the ear.

Speaking in a tender, affectionate tone.

Sharing inside jokes and laughing together.

Leaning in close to whisper sweet words.

Giving a lingering, gentle kiss on the forehead.

Wrapping arms around each other in a warm embrace.

Blushing when receiving a compliment.

Touching foreheads and closing eyes.

Smiling uncontrollably when thinking of the other person.

Caressing the cheek or back of the hand.

Playfully teasing each other with a grin.

Preparing a favorite meal or surprise.

Writing heartfelt notes or letters.

Holding each other close while watching a movie.

Taking care of each other when sick or tired.

Sharing dreams and hopes for the future.

Listening attentively and showing genuine interest.

Expressing gratitude for each other’s presence.

Some Architecture Vocabulary

Arcade: a succession of arches supported on columns. An arcade can be free-standing covered passage or attached to a wall, as seen on the right.

Arch: the curved support of a building or doorway. The tops of the arches can be curved, semicircular, pointed, etc.

Architrave: the lowest part of the entablature that sits directly on the capitals (tops) of the columns.

Capital: the top portion of a column. In classical architecture, the architectural order is usually identified by design of the capital (Doric, Ionic, or Corinthian).

Classical: of or pertaining to Classicism.

Classicism: a preference or regard for the principles of Greek and Roman art and architecture. Common classicizing architecture is a sense of balance, proportion, and “ideal” beauty.

Column: an upright post, usually square, round, or rectangular. It can be used as a support or attached to a wall for decoration. In classical architecture, columns are composed of a capital, shaft, and a base (except in the Doric order).

Cornice: the rectangular band above the frieze, below the pediment.

Dome: a half-sphere curvature constructed on a circular base, as seen on the right.

Entablature: the upper portion of an order, it includes the architrave, frieze and cornice.

Frieze: the wide rectangular section on the entablature, above the architrave and below the cornice. In the Doric order, the frieze is often decorated with triglyphs (altering tablets of vertical groves) and the plain, rectangular bands spaced between the triglyphs (called metopes).

Metopes: the rectangular slabs that adorned the outside of Doric temples, just above the exterior colonnade.

Order: an ancient style of architecture. The classical orders are Doric, Ionic, or Corinthian. An order consists of a column, with a distinctive capital, supporting the entablature and pediment.

Pediment: a classical element that forms a triangular shape above the entablature. The pediment is often decorated with statues and its sides can be curved or straight.

Pronaos (pro-NAY-us): the entrance hall of a temple.

Triglyphs: a decorative element of a frieze consisting of three vertical units.

Vault: an arched ceiling usually made of wood or stone, as seen on the right.

Writing Notes: Hooking your Readers

Hook—The first line, lines, or paragraph meant to grab the reader’s attention

For most people, a night out at the movies includes sitting through the coming attractions. We watch these short bursts of scenes that scare us, intrigue us, make us laugh, and sometimes nearly bring us to tears. No matter the preview, though, if it looks good, we want to go see the movie. An effective “hook” in your story works the same way. You want to grab your reader right away and compel them to continue reading.

Some common strategies for creating a hook & examples:

Anecdote: My hands shook and beads of sweat rolled down my face. I double-checked the directions before assembling my tools and turning up the heat. Making lasagna shouldn’t have been this stressful, but in my grandmother’s kitchen, the stakes were a little higher. 

Direct quote: “Be open and use the world around you.” Toni Morrison gives this advice about the craft of writing, but I find that it applies to most areas of my life.

General statement or truth: Every child, no matter how sheltered or well-adjusted, will experience fear. Whether they are scared of the monster under the bed or the neighbor’s barking dog, children experience fear as a normal and healthy part of childhood.

History: On Wednesday, August 28, 1963, thousands traveled to Washington D.C. by road, rail, and air. There were demonstrators of all races, creeds, and genders. Unafraid of the intimidation and violence they faced, they demonstrated for the rights of all. Known as The Great March on Washington, this day marked an important turning point in the Civil Rights Movement in the United States.

Metaphor: Stretched out in a sunbeam, my cat may seem timid, but really, she’s a lion. She will stealthily stalk her prey, attack without mercy, and leave a trail of blood and guts in her wake. Afterward, as she grooms her luxurious mane, she shows no remorse.

Scene or illustration: Shadows stretch across the pavement as jack-o-lanterns flicker in windows. Little trick-or-treaters scamper from porch to porch, filling their bags with various forms of sugar. It is the day dentists dread most: Halloween.

Sensory description: The stale smell of cigarettes engulfed me as I stepped into the dim, silent apartment. The heat had been turned off, so I could see my breath fog in front of me as I carefully stepped over the old pizza boxes, overturned cups, and random pieces of paper strewn across the floor.

Startling statistic or statement: Teenage drivers crash their cars at nearly ten times the rate of older drivers.

━━━ .°˖✧ romance tropes ⋆˙⊹

𝑡ℎ𝑖𝑠 𝑖𝑠 𝑤ℎ𝑒𝑟𝑒 𝐼 𝑎𝑚 𝑔𝑜𝑖𝑛𝑔 𝑡𝑜 𝑝𝑜𝑠𝑡 𝑎 𝑙𝑖𝑠𝑡 𝑜𝑓 𝑐𝑜𝑚𝑚𝑜𝑛𝑙𝑦 𝑢𝑠𝑒𝑑 𝑎𝑛𝑑 𝑢𝑛𝑐𝑜𝑚𝑚𝑜𝑛𝑙𝑦 𝑢𝑠𝑒𝑑 𝑟𝑜𝑚𝑎𝑛𝑐𝑒 𝑡𝑟𝑜𝑝𝑒𝑠. 𝑒𝑎𝑐ℎ 𝑜𝑛𝑒 𝑤𝑖𝑙𝑙 ℎ𝑎𝑣𝑒 𝑖𝑡𝑠 𝑜𝑤𝑛 𝑝𝑜𝑠𝑡 𝑑𝑒𝑑𝑖𝑐𝑎𝑡𝑒𝑑 𝑡𝑜 𝑠𝑢𝑏𝑔𝑟𝑜𝑢𝑝𝑠 𝑜𝑓 𝑡ℎ𝑎𝑡 𝑡𝑟𝑜𝑝𝑒, 𝑜𝑟 𝑗𝑢𝑠𝑡 ℎ𝑒𝑙𝑝𝑓𝑢𝑙 𝑠𝑖𝑡𝑢𝑎𝑡𝑖𝑜𝑛𝑠 𝑡𝑜 𝑝𝑢𝑡 𝑦𝑜𝑢𝑟 𝑜𝑐𝑠 𝑖𝑛 𝑓𝑜𝑟 𝑡ℎ𝑎𝑡 𝑡𝑟𝑜𝑝𝑒.

╰₊✧ ﾟOTHER LINKS . ྀི ⊹ masterlist | taglist | my library

| prompt help | symbol packs | dividers

˖⁺ ⊹୨ forbidden romance ୧⊹ ⁺˖ ━━ when a character cannot openly be in a relationship with someone for some reason ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ enemies to lovers ୧⊹ ⁺˖ ━━ when two characters are enemies / in violent opposition to each other in the beginning but gradually end up in love ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ friends to lovers ୧⊹ ⁺˖ ━━ when two characters are friends first, but end up falling in love with each other ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ dark/taboo tropes ୧⊹ ⁺˖ ━━ romance between two people that is considered inappropriate or wrong/not acceptable in society ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ opposites attract ୧⊹ ⁺˖ ━━ when two characters are drastically different people/opposite personalities but still somehow love each other ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ unrequited love ୧⊹ ⁺˖ ━━ when a character loves someone who is unattainable for some reason. one sided love. ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ fake relationship ୧⊹ ⁺˖ ━━ when two characters feel no romantic feelings for one another but are forced to be together. in some cases, they eventually fall in love. ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ fish out of water ୧⊹ ⁺˖ ━━ when a character is in an unfamiliar environment and has to adapt. think city girl on a farm. ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ soul mates au ୧⊹ ⁺˖ ━━ when two characters are meant to be together from birth, destiny, or soul ties. ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ oblivious to love ୧⊹ ⁺˖ ━━ when a character is clueless about their own romantic feelings towards someone else ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ reverse harem ୧⊹ ⁺˖ ━━ consists of one female protagonist and three or more male love interests. although I have heard varying definitions. ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ secret identity ୧⊹ ⁺˖ ━━ when two characters are in love but one is not being truthful with who they really are/they’re hiding something from their love interest (like spiderman) ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ love triangle ୧⊹ ⁺˖ ━━ when two characters are in love, but a third party loves one of the characters as well. or, one character is confused between two people who they love (edward x bella x jacob, stefan x elena x damon) ˚୨୧⋆｡˚ ⋆

━━━ .°˖✧ 𝑻𝑹𝑶𝑷𝑬𝑺 𝑻𝑯𝑨𝑻 𝑵𝑬𝑬𝑫 𝑵𝑶 𝑬𝑿𝑷𝑳𝑨𝑵𝑨𝑻𝑰𝑶𝑵 ⋆˙⊹ 𝑡𝘩𝑒𝑠𝑒 𝑎𝑟𝑒 𝑡𝑟𝑜𝑝𝑒𝑠 𝑡𝘩𝑎𝑡 𝑎𝑟𝑒 𝑣𝑒𝑟𝑦 𝒔𝒆𝒍𝒇-𝒆𝒙𝒑𝒍𝒂𝒏𝒂𝒕𝒐𝒓𝒚. 𝑒𝑣𝑒𝑛 𝑗𝑓 𝑖 𝑐𝑜𝑢𝑙𝑑 𝑐𝑜𝑚𝑒 𝑢𝑝 𝑤𝑖𝑡𝘩 𝑠𝑐𝑒𝑛𝑎𝑟𝑖𝑜𝑠 𝑓𝑜𝑟 𝑡𝘩𝑒𝑚 𝑖𝑡 𝑤𝑜𝑢𝑙𝑑 𝑜𝑛𝑙𝑦 𝑏𝑒 𝑎 𝑐𝑜𝑢𝑝𝑙𝑒, 𝑠𝑜 𝒕𝒉𝒆𝒚 𝒉𝒂𝒗𝒆 𝒕𝒉𝒆𝒊𝒓 𝒐𝒘𝒏 𝒔𝒆𝒄𝒕𝒊𝒐𝒏. . ݁₊ ⊹ . ݁˖ .݁

˖⁺ ⊹୨ marriage ୧⊹ ⁺˖ ━━ when a character is forced to marry another for some reason (arranged marriage) ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ dark past ୧⊹ ⁺˖ ━━ when a character has trauma or pain because of their past, and their love interest helps them heal. ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ amnesia / memory loss ୧⊹ ⁺˖ ━━ when a character loses their memory and has to regain their love and memories for another. ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ alpha hero ୧⊹ ⁺˖ ━━ when a male character is overprotective, bossy, jealous, possessive, and have great sexual appeal. think bad boy, biker, ceo fanfics. This can also be military men, superhero’s, men in leadership. a vague category. ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ one bed trope ୧⊹ ⁺˖ ━━ when two characters are forced to share a bed 👅 you should know this one ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ forced proximity ୧⊹ ⁺˖ ━━ when two characters are forced into small spaces together or forced to be together in the same room. ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ beauty and the beast ୧⊹ ⁺˖ ━━ when a typically male character is capable of great rage and destructive, sometimes a literal monster, but the fem character loves them beyond their looks and sees the good in them. doesn’t have to be a literal monster. ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ in peril tropes ୧⊹ ⁺˖ ━━ when a character is in some sort of crisis and has to be saved by love interest. ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ job related tropes ୧⊹ ⁺˖ ━━ when a character is attracted to someone because of their job, or their romance happens at work/ a specific location (corrupt priest, military man, construction worker). can be taboo. ˚୨୧⋆｡˚ ⋆

˖⁺ ⊹୨ time travel ୧⊹ ⁺˖ ━━ when a character travels back or forward in time and falls in love with someone from that time period. ˚୨୧⋆｡˚ ⋆

authors note: I am going to be making posts describing each trope individually as well as sub-genres and examples of that trope. I had something similar to this in my notes for my stories and decided to share. there are a lot of tropes out there, so feel free to comment other ones. remember you are loved and important <3

Guilt-Tripping Starters

"I’ve always done what’s best for you."

"How can you be so ungrateful?"

"You’ve changed, and not for the better."

"I’ve given you everything."

"You’re tearing this family apart."

"I hope you’re happy with your choices."

"After all the sacrifices I’ve made."

"You don’t appreciate anything I do."

"I guess my efforts mean nothing to you."

"You used to be so different."

"Look what you’re doing to us."

"I hope it’s worth it."

"You don’t care about anyone but yourself."

"How can you sleep at night?"

"You’re ruining everything."

"This isn’t the person I raised."

"You’re letting everyone down."

"I thought I could count on you."

"You’re throwing everything away."

"Is this really who you want to be?"

Word List: Psychology

concepts to help with your story/poem

All-or-nothing Thinking - In cognitive psychotherapy, a common thought distortion in which the individual irrationally evaluates everything as either wonderful or terrible, with no middle ground or “gray area”

Burnout - A state of exhaustion that relates to engaging continually in emotionally demanding work

Congruence - In humanistic psychotherapy, consistency between the real self and the ideal self; the source of mental health

Dodo Bird Verdict - A nickname for the common research finding that different forms of psychotherapy are roughly equally effective; derived from the line in Alice in Wonderland, “Everybody has won and all must have prizes”

Exception Questions - In solution-focused family therapy, a technique whereby therapists ask families to recall situations when the problem was absent or less severe

Fluid Intelligence - The ability to reason when faced with novel problems

Introspection - The process of looking inside the mind for evidence of mental processes or therapeutic change, rejected by behaviorists for its lack of objectivity

Microaggressions - Comments or actions made in a crosscultural context that convey prejudicial, negative, or stereotypical beliefs and may suggest dominance or superiority of one group over another

Negative Punishment - A form of punishment in which the individual “loses something good”

Negative Reinforcement - A form of reinforcement in which the individual “loses something bad”

Neurosis - Along with psychosis, one of the two broad categories of mental illness used in Europe in the 1800s; refers to disorders such as anxiety and depression in which the individual maintains an intact grasp on reality

Overpathologizing - Viewing as abnormal that which is actually normal; can be reduced by increasing cultural competence

Positive Punishment - A form of punishment in which the individual “gets something bad”

Positive Reinforcement - A form of reinforcement in which the individual “gets something good”

Social Support - Relationships with others who can provide support in a time of crisis and who can share in good fortune as well

Source: Clinical Psychology: Science, Practice, and Diversity (5th Edition) by Andrew M. Pomerantz

yet another list of "beautiful" words

to try to include in your next poem/story

Book-bosomed - coined by Sir Walter Scott; means "carrying a book at all times." If you love books, certainly you've been book-bosomed at times in your life.

Caliginous - misty, dark

Dithyramb - a usually short poem in an inspired wild irregular strain. This word comes from the Greek word dithyrambos which was the name for a wild and irregular poem honoring Dionysus, the god of wine, who was often lauded throughout the year during festivals at which poems of this style were read.

Embonpoint - plumpness of person; stoutness

Farinaceous - having a mealy texture or surface

Farouche - marked by shyness and lack of social graces

Florilegium - a volume of writings; an anthology. The word was borrowed into English from a New Latin word that comes from Latin florilegus meaning "culling flowers." Think of a florilegium as a bouquet of writings, specially selected and arranged for your enjoyment.

Goety - black magic or witchcraft in which the assistance of evil spirits is invoked

Lachrymist - one given to weeping

Lamia - a female demon; vampire

Osseous - bony

Phantasmagoria - a bizarre or fantastic combination, collection, or assemblage

Stygian - extremely dark, gloomy, or forbidding

Tenebrous - shut off from the light

Theurgy - the art or technique of compelling or persuading a god or beneficent or supernatural power to do or refrain from doing something

If any of these words make their way into your next poem/story, please tag me, or leave a link in the replies. I would love to read them!

beautiful words list pt. 1 / pt. 2 / pt. 3

other words to use instead of walk?

Advance - to move forward; proceed

Amble - to go at or as if at an easy gait

Canter - to move at or as if at a canter (i.e., a 3-beat gait resembling but smoother and slower than the gallop)

Footslog - to march or tramp through mud

Hike - to take a long walk especially for pleasure or exercise

Journey - travel from one place to another

Lumber - to move ponderously

March - to move in a direct purposeful manner

Meander - to wander aimlessly or casually without urgent destination

Mosey - to move in a leisurely or aimless manner

Pace - to walk with often slow or measured tread

Pad - to traverse on foot

Parade - to march in or as if in a procession

Patrol - keep watch over (an area) by regularly walking or traveling around or through it

Perambulate - to travel over or through especially on foot

Plod - to walk heavily or slowly

Prance - to walk or move in a spirited manner

Promenade - take a leisurely public walk, ride, or drive so as to meet or be seen by others

Prowl - to move about or wander stealthily in or as if in search of prey

Ramble - to move aimlessly from place to place; to explore idly

Roam - to go from place to place without purpose or direction; also to travel purposefully unhindered through a wide area

Saunter - to walk about in an idle or leisurely manner

Shamble - to walk awkwardly with dragging feet

Shuffle - to move or walk in a sliding dragging manner without lifting the feet

Slog - to plod heavily

Stalk - to walk stiffly or haughtily

Step - to move (the foot) in any direction

Stride - to move over or along with or as if with long measured steps

Stroll - to walk in a leisurely or idle manner

Strut - to walk with a proud gait

Stump - to walk over heavily or clumsily

Toddle - to walk with short tottering steps in the manner of a young child

Tour - make a tour of (an area); a short trip to or through a place in order to view or inspect something

Traipse - to walk or travel about without apparent plan but with or without a purpose

Traverse - to move or pass along or through; to move back and forth or from side to side

Tread - to step or walk on or over

Trek - to make one's way arduously

Troop - to go one's way

Trudge - to walk or march steadily and usually laboriously

Wander - to move about without a fixed course, aim, or goal

Hope this helps. If it inspires your writing in any way, please tag me, or leave a link in the replies. I would love to read your work!

How to write romantic love

Writing romantic love is simultaneously one of the most joyful things you can do as a writer, and one of the most difficult. There’s a lot of emotion to cover - from the highs of a new relationship, to the struggles of a relationship on the rocks.

Like all of us, your characters will display love differently. Are they open and affectionate? Shy and nervous? Loud and blunt? To help you along the way, here’s some examples of descriptions you can use to show (not tell) your readers that your characters are in love. Movement

Inching towards each other to touch

Shyly tucking stray hair behind the ear

Unconsciously parting or licking lips

Embracing with full bodies touching

Nervously shuffling feet

Running and reaching with open arms

Fiddling with hair or clothing

Crossing or uncrossing legs

Leaning forward to show attentiveness

A bounce in the step

Glancing flirtily over the shoulder

Facial expressions

Flirtatious winking

Smiling to themselves at nothing

Glancing up through lowered lashes

Unblinking eye contact

Grinning or beaming uncontrollably

A look of yearning

Lips slightly parted with desire

Dilated pupils

Glowing cheeks or flushed skin

Faraway, daydreaming look

Slight, secretive smile

Sounds

Deep sighs

Unconscious swallowing

Nervous coughing or throat clearing

Light chuckle with a silly grin

Grunts of appreciation or praise

An inner, audibly racing pulse

Thumping heart

Quick, short breaths

Low, whispered voices

Listening to love songs

Joyfully humming

Feelings and sensations

Nervous tingling

Butterflies in the stomach

Hot and flushed face

Hyper-sensitive skin

Acute awareness of personal proximity

Weak knees or legs turning to jelly

Shaky hands

Loss of speech or getting tongue-tied

Daydreaming and absentmindedness

Seeing the beauty in the world

Pulse racing

Manipulative Starters Part two

"You’re just being selfish."

"I can’t believe you’re doing this to me."

"Why are you so difficult?"

"You’re making a big mistake."

"I’m only doing this because I care about you."

"You’re acting like a child."

"I can’t trust you anymore."

"You’re blowing this out of proportion."

"Don’t you want to make me happy?"

"After everything I’ve done for you, this is how you repay me?"

Writing Description Notes: Eye Contact/Eye Movements

Updated 26th May 2024 More description notes

Three sets of eyes honed in towards him.

Everyone collectively shifted their gazes towards him.

His eyes widened like they were about to burst.

His eyes widened like saucers.

Humor was twinkling in his eyes at the irony of the situation.

Emotionless eyes contrasted with charged words.

His gaze parted from hers.

She caught his gaze with hers

He glared daggers.

Her eyes were fierce, but still reflected compassion.

Her hilariously wide eyes.

Ensnared by a pair of eyes.

Jane bore down on her friend with her sharp eyes, but surprisingly the glare had no effect.

A flash of frustration creased her brow and sparked in her eye, letting him know that his sound wasn't appreciated.

Their eyes trained on each other and silence swept over them.

His golden eyes dissected her, seeming to examine every quirk of her expression.

He could feel her gaze cutting into him.

Once again, he turned back to her, and was rewarded with just a small smile and her warm eyes.

His sky blue eyes veiled towards the large window claimed by the freezing temperatures.

His eyes burned into her, the fire intent on destroying whatever it could catch but she was ready for it this time.

His eyes scoped out the make-shift battle ground searching for something, anything that could help him out.

Their stares remained interlocked, neither of them making a move to look away.

His golden eyes shone in the dim light, reflecting every insecurity within him.

Amusement danced in those green eyes.

Her gaze flitted between their blanket and him.

Shielding her eyes on instinct, Jane recovered with wary blinks.

Red optics bore into her widened, watering eyes.

He gave John a sidelong stare.

His optics settled on Jane as she raised her fist with cheer.

The stare was of one hurt and buried, as if they feared being vulnerable more than the cold reality they had manufactured and serviced.

His stare was as uncomfortable as a chorus-girl corset and had the same effect on Jane’s breathing, constricted and shallow. There was no life behind those eyes. Every move he made betrayed his intentions and none of them were noble.

His eyes searched hers, looking to find some shred of... emotion in them.

He rolled his eyes, a nonverbal expression of exasperation.

turning positive traits negative

This is the go-to for development in my book, because if your character has a personality trait, congrats! You’re half way there!

—Confidence:

Can lead to selfishness, over abundance of pride, stubbornness and unwilling to admit wrong doings/beliefs/actions.

—Extroversion

Unable to understand proper boundaries that others have set, tries to bring people out of their comfort zone even when unnecessary, rude.

—Intelligence

One of those nerds that every class has that reminds the teacher of the homework, looks down on those less intelligent and doesn’t care of the social/economical/personal reasons as to why they don’t share the same intellect, prideful.

—Kindness

Nativity, allows the wrong people to walk free, toxic positivity, doesn’t want to understand how some people may just be evil, leading the team into multiple dangerous, avoidable situations.

—Romantic

‘Doesn’t take no for an answer’, makes people uncomfortable, overwhelms people with fantasies of romantic dinners/adventures despite it still being the first date, moves too fast for their love interest.

August Prompts 🍋

Word prompts to use for doodling or writing

sunglasses

underwater

backpack

shade

pavilion

sentimental

tent

garden party

swimming pool

coconut

popsicle

island

spicy food

airplane

bubbles

watermelon

palm tree

seashells

ocean

parasol

snorkel

Wanderlust

vintage

bugs

string lights

homemade lemonade

surfboard

polaroid photos

childhood friends

summer reading

water park

Writing Description Notes: Facial Expressions

Updated 26th May 2024 More description notes

Fear mounted his face.

She steeled her expression

A deep frown set into his muzzle.

He spoke softly, his brows drawn together in a sympathetic concern.

His eyes searched hers with a gentle concern.

A look of relief washed over his features.

Her eyebrows inched upward, as she looked upon him in stunned silence.

He searched Jane’s expression, but found not the slightest tinge of anger, resentment, or hatred.

His brow wrinkled by a deep frown.

The adamant expression and carefree grin that followed took the edge off her reservations and she pried deeper.

A thinly veiled warning hid behind her perfect pout and she was sure to flash it at the hero menacingly.

Her brows knitted together.

A broken expression laced his features.

In his facial expression was a tiredness, a need for nurture and a chance to rest.

John’s brows drew together gently, his expression accenting his confusion, softly encouraging her to continue.

Only a hint of a hesitation gracing her features.

His brows cured upwards and golden eyes glittered with worry.

Jane adopted an innocent look.

There was a measure of anxiety scrawled all over his face and she tried to ease it by holding his hand.

A soft laugh caught her off guard and she met John’s cynical expression with one of defiance.

She tried to solve the puzzle of emotions on his face.

John’s face fractured with sympathy

A gentle pout formed on her lips

A softness came over her features, replacing the glowing joy for a meaningful affection for such a devoted friend.

Writing Description Notes: Voice/Tone

Updated 26th May 2024 More description notes

His voice drifted into her ears like a soft melody.

A giggle slipped out of her lips.

He had his hands cupped around his mouth, trying to amplify his voice however he could.

The words broke through her thoughts like a knife, cutting a path where before there was none.

His voice was laced with concern.

Her voice lifted at the end to signify the question.

A few very colorful expletives leapt to the forefront of John’s tongue but he knew speaking them would end the conversation.

In spite of his insipid words, John’s voice was free of malice.

He noted the way she carried herself in her voice. While she had grown far more comfortable with others, Jane still carried her loyal lineage proudly.

As if offended by the words.

A sing-song lilt entered her tone.

She cursed the confusion in her voice

As much as the towel kneaded at his ears, the sympathy pouring from Jane’s every word stayed unfailingly clear.

His voice was dangerously calm.

The smaller man finally decided to say, hesitant sycophancy in his voice.

His voice dropped an octave lower.

The voice did not enter through Jane’s ears but arrived directly in her head

The voices raised up as if on ever spread wings.

Her pitch was soft, but there was no mistaking the bitterness and emotion behind those words.

His words flowed like a gentle stream, soothing her troubled mind.

He spoke with the authority of a seasoned leader, every word carrying weight and importance.

A hint of mischief colored his tone, as if he had a secret to share.

Her voice was like a warm embrace, offering comfort in times of need.

A shiver ran down her spine as his voice took on an eerie, otherworldly quality.

She spoke with a measured, deliberate cadence, every word carefully chosen.

His voice was as smooth as silk, effortlessly persuasive.

Her words dripped with sarcasm, a sharp and cutting edge to her tone.

He muttered under his breath, the words barely audible but heavy with frustration.

The tension in the room was palpable, and their voices reflected it, strained and on edge.

They spoke in hushed tones, as if afraid to be overheard.

His voice carried a sense of resignation, as if he had accepted his fate.

She sang her words, the melody of her voice enchanting those who listened.

How to make your writing sound less stiff

Just a few suggestions. You shouldn’t have to compromise your writing style and voice with any of these, and some situations and scenes might demand some stiff or jerky writing to better convey emotion and immersion. I am not the first to come up with these, just circulating them again.

1. Vary sentence structure.

This is an example paragraph. You might see this generated from AI. I can’t help but read this in a robotic voice. It’s very flat and undynamic. No matter what the words are, it will be boring. It’s boring because you don’t think in stiff sentences. Comedians don’t tell jokes in stiff sentences. We don’t tell campfire stories in stiff sentences. These often lack flow between points, too.

So funnily enough, I had to sit through 87k words of a “romance” written just like this. It was stiff, janky, and very unpoetic. Which is fine, the author didn’t tell me it was erotica. It just felt like an old lady narrator, like Old Rose from Titanic telling the audience decades after the fact instead of living it right in the moment. It was in first person pov, too, which just made it worse. To be able to write something so explicit and yet so un-titillating was a talent. Like, beginner fanfic smut writers at least do it with enthusiasm.

2. Vary dialogue tag placement

You got three options, pre-, mid-, and post-tags.

Leader said, “this is a pre-dialogue tag.”

“This,” Lancer said, “is a mid-dialogue tag.”

“This is a post-dialogue tag,” Heart said.

Pre and Post have about the same effect but mid-tags do a lot of heavy lifting.

They help break up long paragraphs of dialogue that are jank to look at

They give you pauses for ~dramatic effect~

They prompt you to provide some other action, introspection, or scene descriptor with the tag. *don't forget that if you're continuing the sentence as if the tag wasn't there, not to capitalize the first word after the tag. Capitalize if the tag breaks up two complete sentences, not if it interrupts a single sentence.

It also looks better along the lefthand margin when you don’t start every paragraph with either the same character name, the same pronouns, or the same “ as it reads more natural and organic.

3. When the scene demands, get dynamic

General rule of thumb is that action scenes demand quick exchanges, short paragraphs, and very lean descriptors. Action scenes are where you put your juicy verbs to use and cut as many adverbs as you can. But regardless of if you’re in first person, second person, or third person limited, you can let the mood of the narrator bleed out into their narration.

Like, in horror, you can use a lot of onomatopoeia.

Drip Drip Drip

Or let the narration become jerky and unfocused and less strict in punctuation and maybe even a couple run-on sentences as your character struggles to think or catch their breath and is getting very overwhelmed.

You can toss out some grammar rules, too and get more poetic.

Warm breath tickles the back of her neck. It rattles, a quiet, soggy, rasp. She shivers. If she doesn’t look, it’s not there. If she doesn’t look, it’s not there. Sweat beads at her temple. Her heart thunders in her chest. Ba-bump-ba-bump-ba-bump-ba- It moves on, leaving a void of cold behind. She uncurls her fists, fingers achy and palms stinging from her nails. It’s gone.

4. Remember to balance dialogue, monologue, introspection, action, and descriptors.

The amount of times I have been faced with giant blocks of dialogue with zero tags, zero emotions, just speech on a page like they’re notecards to be read on a stage is higher than I expected. Don’t forget that though you may know exactly how your dialogue sounds in your head, your readers don’t. They need dialogue tags to pick up on things like tone, specifically for sarcasm and sincerity, whether a character is joking or hurt or happy.

If you’ve written a block of text (usually exposition or backstory stuff) that’s longer than 50 words, figure out a way to trim it. No matter what, break it up into multiple sections and fill in those breaks with important narrative that reflects the narrator’s feelings on what they’re saying and whoever they’re speaking to’s reaction to the words being said. Otherwise it’s meaningless.

—

Hope this helps anyone struggling! Now get writing.

Honestly? My main piece of advice for writing well-rounded characters is to make them a little bit lame. No real living person is 100% cool and suave 100% of the time. Everyone's a little awkward sometimes, or gets too excited about something goofy, or has a silly fear, or laughs about stupid things. Being a bit of a loser is an incurable part of the human condition. Utilize that in your writing.

Writing Description Notes:

Updated 17th July 2024 More writing tips, review tips & writing description notes

Facial Expressions

Masking Emotions

Smiles/Smirks/Grins

Eye Contact/Eye Movements

Blushing

Voice/Tone

Body Language/Idle Movement

Thoughts/Thinking/Focusing/Distracted

Silence

Memories

Happy/Content/Comforted

Love/Romance

Sadness/Crying/Hurt

Confidence/Determination/Hopeful

Surprised/Shocked

Guilt/Regret

Disgusted/Jealous

Uncertain/Doubtful/Worried

Anger/Rage

Laughter

Confused

Speechless/Tongue Tied

Fear/Terrified

Mental Pain

Physical Pain

Tired/Drowsy/Exhausted

Eating

Drinking

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)