Imagining This But With Molly And Her Parents From Chicken Run Rn

Imagining this but with Molly and her parents from chicken run rn

THE LAST OF US — INFECTED (1.02)

Chicken run fans!!! Another mozzle (or frilly) fanfic for you all!!!

Come on man can you at least tell the date of when your planing to realise Molly & Frizzle's date already, not being rude or anything.

Sorry, haven’t gotten to writing yet. This weekend, I’ll release it!

LADIES, GENTS, THEY/THEMS, HENS, ROOSTERS, AND EVERYONE ELSE I PRESENT TO YOU MY LATEST MOLLY/FRIZZLE FANFIC!!!

Question what would everyone else's reaction be like when they found out about Molly & Frizzle, btw if your looking for any ideas for another M&F fic you should do them having their first date.

Let's be honest, all the hens would probably be accepting but maybe a bit cautious about them being quick to fall in love since they're young (I'm gonna assume Frizzle is like 12 since Molly is 11). But yeah, they would support and be mostly happy about their decisions. Also their going on a first date would be neat! I've kinda got an idea that's similar to that (it takes place between my first and second fic, they go out somewhere to frolic in flowers and Frizzle admits she is in love with molly so there's no ambiguity between them).

Dreamworks, What is Happening?

Now DreamWorks hasn't always had the best track record, let's just be honest. But recently, it's been telling that they and Universal have been in a slump in terms of their decisions, no matter what type of those decisions are. You all already know how Ruby Gillman left a bad taste in my mouth, considering the writing could have been a straight shot into something emotionally investing, with Chelsea being redeemed and finding a family in the Gillman’s after being alone for so long. But they didn't do that because we just had to have an irredeemable villain, because it worked with Jack Horner, why not do the same trick and dance with Chelsea/Nerissa? The unfortunate truth is that this just left a bad taste in a lot of people's mouths. Now, while some did not mind this, let's just be honest and say it would have been best if they went with the more emotionally investing ending to the movie. But that's only part of the problem when you have the fact the marketing (which wasn't much at all either) spoiled the twist. Now I knew going into this movie Chelsea was gonna end up a villain, no surprise there, but the thing that made this movie crash and burn for me was the fact that this spoiled twist did not lead to anything much more. Sure you spoiled the twist either way, but with Chelsea being redeemed, you would at least have a very emotionally driven ending, and a positive message that's anti-war, anti-prejudice, and shows the value in one young woman showing compassion to another in hard times, and making her see that things don't have to be the way they are if they truly made an effort to change things by sticking together. I mean hell, my rewrite ends with them becoming practically sisters. But no, there is no touching ending where the girl who was alone with her revenge driven mother for most of her life, before that mother died trying to get a weapon to wage war again, finally got a friend in another girl who, even as she was trying to kill her, knew on the inside she was still just a child who's been through a lot and wasn't going to let her become a monster because of the conflict between their people. There was no ending where the grandma who thought of another species as monsters finally sees how wrong she's been and wants to make things right. No. It ends with an even dumber twist where the girl is actually the mother, and she's put in a cage and mermaids are actually just evil creatures. Big victory for nuanced writing, eh? And to make matters worse, universal decided it would be best to put this movie out during the time when spider-verse, elemental, transformers, Indiana Jones, and the flash were all also playing in theaters. You know what would have been a smart time to release the movie? September 1, no kids movies were releasing in theaters at that point (seriously go check) so maybe while ruby wasn't the pinnacle of writing, it at least would not have been stacked against spider-verse and elemental especially, thus you'd have a fun movie for the family and maybe it could have at least made its budget back. But no, release it around the two other animated movies that are obv gonna be more beloved by audiences bc they have arguably more stellar writing, and are obv gonna be suggested to more audiences bc they stuck with the viewers in a positive way, meanwhile the only way ruby stuck with viewers in a negative way with people thinking “well that was lame, I would have liked for Chelsea to be redeemed and become genuine friends with ruby, would have made a sweet and sincere ending.” Now this obv isn't the case for everyone, but come on, most of the audience would've probably left the movie on a more chipper note if this happened instead. So, take marketing that spoils the movie and isn't very prominent either way, writing that's about as bland as you can imagine, and a release date that can be described as stuck between a rock and a hard place, you have a box office flop that made not even 50 mil throughout it's entire run. Part 2 of this post coming soon, where I will talk about Orion and the dark and megamind